Monday, 12 August 2019

Why everyone (in academia) should pick up knitting

Marianne in our Edinburgh shop

I have spent my summer mainly doing two things: writing my Masters dissertation; and working at a knitting supply shop - no need to guess which activity I enjoyed more! Knitting has been my way of dealing with the stress of being in postgraduate studies -my friends call me “Mariyarn”, and I have been known to whip out a knitting project at 1am at the university library, when a research project really wasn’t going well.

Interestingly enough, I find that research and knitting fit together quite well. I can knit something mindlessly while reading a couple of articles, and there is a meditative aspect in the repetitiveness of “k1, p1” or “k2tog, yo, k2tog, yo” that helps get the creative juices going.

Working here has been such a privilege, as the knitters and crocheters that come into the shop always seem to be the nicest people. I have been able to have lovely chats with people from literally every continent! There’s also always something going on in the shop -orders, stocking shelves, helping someone buy a gift of yarn for a loved one; or choosing a pattern for a jumper for a long-awaited baby. As it turns out, knitting is a particularly versatile craft. While working here, I discovered the existence of the World Heavy Metal Knitting championship, and subsequently decided that knitting really is the best hobby.

Wild Wool - made from nettles
Photo credit: Erika Knight

Far more experienced coworkers than me have been able to talk me through various patterns, techniques and stitches. It is so satisfying to see a piece of clothing come together out of nothingness! It’s also been lovely to get the technical knowledge to go with my hobby - I'm now quite adept at yarn weights, gauge conversions, and the difference between Worsted Aran and Felted Tweed. Although working here is a constant temptation, and I suspect that a good part of my wages is going to go towards excessive purchases of Wild Wool (it has nettles in it!) and Hayfield Spirit  (it looks like a sunset!).

Hayfield Spirit DK

So - to all the undergrads stressed out by exams; to the postgrads worrying about experiments and analyses not turning out right; to the postdocs wading through grant applications: never fear! Take up knitting, and you’ll find that your blood pressure goes right down again. And you’ll be able to show off your new hand-made cardigans and Shetland wool hats when the winter comes around again!

Post by Marianne Lezeau

Wednesday, 17 April 2019

My Tension Square is not the Right Size... Help!

Swatches in different stitch patterns. L to R: chevron colourwork, stocking stitch, knot pattern, moss stitch, stocking stitch

Recently, I was speaking to a knitter who told me she was having difficulty achieving the required tension for her project. “I just can’t get my tension square to come out the right size!” she exclaimed. “Help!”

A lovely swatch knitted in Rowan Cocoon shade Clay

As I talked her through various ways to address the problem, I decided it would be worth writing up a quick blog post to help out any other crafters who might be struggling with the same issue. Here’s a non-exhaustive list of things to check when you’re struggling to get gauge:
(The first 4 points apply to both knitting and crochet, but the final point is only relevant to knitting.)


  • Did you cast on enough stitches? If the tension you are aiming for is, say, 22 stitches x 28 rows, it can be tempting to cast on 22 stitches, work 28 rows, and then measure your swatch. Unfortunately, this is not a very reliable guide to your tension. One of the main reasons not to trust that piece of knitting is that the edge stitches on the sides, top and bottom are formed differently to those in the middle of the work. They are not “anchored” into place by other stitches on all sides and, consequently, they are a slightly different shape and size. A better approach is to cast on a few extra stitches (in our example, at least 30 but the more you have, the more accurate your measurements will be) and work a few extra rows. Then, measure the centre 10cm x 10cm and count how many stitches and how many rows fit into that square. This will give you a far more reliable guide to your tension and how close it is to the tension specified in your pattern.
  • Is the tension given for stocking stitch or another stitch pattern? The tension guide on a ball band will give you the expected number of stitches x the number of rows in stocking stitch, but a pattern may tell you the number of stitches x rows in a different stitch pattern, according to the stitch pattern used in the garment. This can make a big difference to the number of stitches or rows you can expect to fit into 10cm. For example, 30 rows of garter stitch (knit every row) will only be about half as long as 30 rows of stocking stitch (alternating knit and purl rows). Similarly, 20 stitches in a cable pattern will not be as wide as 20 stitches in stocking stitch, because the cables draw the fabric together. Be sure to make your swatch in the same stitch pattern as listed in the pattern!
  • Did you block your swatch? If you’re going to be blocking your finished article, or there is any chance of it stretching over time, it is best to treat your swatch in the same way in order to get as accurate a picture as possible of what your finished project will look like after you’ve washed and worn it. The tension given at the start of a pattern should take this into account, since the finished measurements are usually calculated alongside the tension requirements. So, if you block your swatch and afterwards it is 25% larger than it should be, your finished cardigan will also be 25% larger once you’ve washed it. So, to get a true idea of how big your finished object will be, you should always block your swatch!
  • For small adjustments, try a different needle material. If your tension is off by only a tiny amount, you can make very small adjustments by knitting with a different type of needle. Many knitters find their tension is slightly different when knitting with bamboo vs aluminium needles, or circular needles vs straight needles. (This also means that it can be risky to switch from one to another part way through a project, as your tension might change!) Likewise, crocheting with an aluminium hook vs a bamboo hook can make a real difference.
  • Are the stitches still “live”? Casting off, especially if you cast off quite tightly, can alter the tension of the top row of knitting, as can leaving the stitches on the needle. The solution? Slip the stitches onto a piece of scrap yarn before measuring them, or work a few extra rows and just measure the middle rows.

So, I hope this information is helpful, either to solve existing tension problems or to prevent them from happening in the first place. If you have other tension questions, feel free to leave us a comment below.


Wednesday, 6 February 2019

Yarn Review: Rowan Moordale


British wool is an increasingly popular choice for knitters who want to support local industries and minimise the environmental impact of shipping yarns from the other side of the world. Less widely available, but every bit as exciting, is British alpaca, and the newest addition to Rowan Yarns’ range combines these two fibres to produce an exquisite yarn. Moordale is spun in Yorkshire (the birth place and spiritual home of Rowan Yarns) by a local spinning mill, and really captures a lot of what is great about both of these fibres.

Composed of two plies loosely twisted together to form a yarn that sits on the fine end of DK weight, Moordale has a smooth, woolly feel, a lustre and faint halo. It softens when wound from a hank into a ball, and softens further when knitted up on a 4mm needle. The fabric it produces has a good drape and a slight fuzziness.

One of my favourite aspects of Moordale is the richness of the colours. The alpaca and Bluefaced Leicester fibres take dye differently to one another. This produces shades which, at first glance, look like solid colours but, upon closer inspection and especially after knitting, you can see a subtle mélange of darker and brighter fibres. The resulting fabric has a real warmth and depth of colour.

Buckler hat in Rowan Moordale shade 008 Blue Moor


I’ve been knitting the Buckler hat (in the smaller size) from the Moordale Collection, and one 100g hank is comfortably enough yarn to make this slouchy hat plus a pompom for the top. I’m using KnitPro Zings, and the yarn slides smoothly and quickly along the aluminium surface of the needle. After blocking, the fibres relax into a loose, comfortable fabric with a more pronounced halo. A hat like this is a great project for test-driving a new yarn before committing to a larger project like a sweater or cardigan and, after my Buckler, I think there will be a number of other Moordale projects joining my queue.